
We are all Sudanese
A new film explores the perspectives of Sudanese-American artists navigating their relationships and responsibilities to the revolution back home.
A new film explores the perspectives of Sudanese-American artists navigating their relationships and responsibilities to the revolution back home.
The viral sensation “Jerusalema” and its dance challenge reveals a deeper longing and desire to re-imagine the world.
In the first part of a two-part post, the author challenges conventional progressive approaches to “race,” finding them to be untenable with non-racialism.
Beyonce offered me escapism in my childhood. But now I see the contradictions and shortcomings in her claimed radicalness.
The legend of Nelson Mandela was built years before his lengthy jail sentence catapulted him to global fame.
Somali-Canadian writers lay bare the harsh realities of being Black, migrant and Muslim in multicultural and ostensibly tolerant Toronto.
Tanzanian universities are beginning to tackle “sextortion.” Will new policies and attention to sexual harassment on campuses make a difference?
How African literature is taught reveals a depressing lack of knowledge concerning North African writers and their works.
The new short film "Ifé" is a moving story about the delights and difficulties of human relationships.
Journalist Vincent Bevins’ new book, The Jakarta Method, shows that some of the 20th century’s ugliest episodes are still unfolding.
The burial of African languages by Africans themselves has ensured our total immersion into colonial culture.
Beyoncé, 'The Lion King,' 'Coming to America,' and the complicated politics of African representation in Black American cultural production.
Three prominent curators on how they are (re-)situating their respective curatorial practices in relation to the political moment.
It took time to digest Beyonce's Black Is King. Conclusion: it fails to deliver us. Instead, it's just another capitalist construction of the world.
How Rwandan history is told—and who does the telling—is important as it determines who is able to participate in conversations about the past.
The anniversary of Marikana just passed us. Media coverage of the massacre is an important part of its legacy.
White South Africans rarely look in the proverbial mirror to reflect on where they come from and how those histories shape their current realities.
When our political parties only have recourse to the realm of identity and culture, it is a smokescreen for their lack of political legitimacy and programmatic content. It is cynically unpolitical, and it’s all bullshit.
Senegalese writer Mbougar Sarr on how we are actually informed about symbols we want to bring down, and about those we wish to commemorate.
News reports claiming that “wet markets” in Asia are the source of the coronavirus obscure the fact that the consumption of wild animals is common in the West.