• Tom Devriendt

• Megan Eardley

It is hard to find critics asking what Angolan artist Edson Chagas’s work does, the context through which it was produced, or the social conditions it draws attention to.

• Sean Henry Jacobs
• Elliot Ross

Rick Ross has since deleted a tweet about landing "in the beautiful country of Africa." He deserved all the scorn. He's been to three African countries already and should know.

• Jacques Enaudeau

Bousso Dramé, a young Senegalese winner of a French prize tells the organizers of a prize to shove it.

• Zachary Rosen

• Ts'eliso Monaheng

• Basia Cummings

In her work, Ellen Gallagher defiantly challenges linear perspective to redress what fellow African-American artist Theaster Gates has called "the African non-archive."

• Lindsey Green-Simms

What precisely is new about new African writing and what makes it different from what we have seen before?

• Chandra Frank

Discovering that history lessons are best learned when you look up whilst walking through the small streets of the Netherlands' commercial capital.

• Duane Jethro

What it means to belong in post-apartheid urban space and how to reckon with history.

• Christian Niedan

An Interview with Abderrahmane Sissako, director of films like 'La Vie Sur Terre,' 'Rostov-Luanda,' 'Waiting for Happiness' and 'Bamako.'

• Shamira Muhammad

That South Africa has a "Pro Twerk Team" may seem like a great opportunity to see twerking from a new, non-American perspective. Or to throw shade.

• Tom Devriendt

Weekend Special: The premiere of Mahamat Saleh Haroun's new film "Grigris" and the cover art for the Dutch translation of Binyavanga Wainaina's memoir, among others.

• T.O. Molefe

The hysteria around developing isiZulu and the country's other indigenous languages for use in higher education.

• Jacques Enaudeau

Senegalese collective who brought Abdoulaye Wade down reinvents media activism.

• Tom Devriendt

• Tom Devriendt

• Tom Devriendt

• Tom Devriendt

• Jack Van Cooten

Not sure what is empowering about a UK grime artist explicitly glorifying African conflict and capitalizing on the fear and violence that it entails.