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Sheila Adufutse is a feminist activist and trained as a project manager.
Journalists are still keen to prod the soft spot of their readers’ insecurities around mental illness, with the fear mongering undertone of ‘it could happen to you.’
How Nito Alves has become the symbol of a slowly emerging movement that has shaken the Angolan government’s narrative of post-conflict stability.
How much of Equatorial Guinean’s tax money did the Obiangs pay to the Spanish FA for a meaningless match between its national teams?
For his CNN food travel show, Bourdain picks black Gauteng rather than pretend-European Cape Town and the Western Cape.
The World Bank and IMF have waged a sustained assault on African public services over several decades, and have never been called to account for the profound and lasting damage they have done.
Mmusi Maimane, despite his apparent reputation in opposition circles as a “man of the people,” appears to possess a rather limited political imagination.
Ghanaian-American filmmaker Akosua Adoma Owusu wants to foster a new wave of Ghanaian experimental filmmakers.
Recognition of the contributions to the New York cultural landscape by African immigrants remains strangely absent from the average New Yorker’s frame of reference.
Ghana is currently experiencing a surge of contemporary performing and visual arts. Here are some notes on goings on about Accra-town.
We don’t want to see a film about what might have been, however seductive that aspect of Burkina Faso’s history is. But what was achieved.
The mistake of directing the hardline scorn we reserve for say Madonna and Fox News at small independent filmmakers or young volunteers at NGO’s in Africa.
Europe’s new provincialism exacts a human toll that can only be accepted with a mind-set that subscribes to nothing more than a new barbarism.
Johannesburg: the city where criminals don’t discriminate, but property developers do.
An Interview with Nigerian Filmmaker Tunde Kelani.
Kevin Sylvester and Wilner Baptiste are the classically trained violin and viola playing duo that anchor Black Violin.
As a public service, we will, every year around Halloween, share this guide on how not to embarrass yourself or offend anyone.
The idea that a post-racial South Africa can only be achieved through the adoption of white ideals, culture, and norms by black South Africans.