
I Sing the Desert Electric
A short film of electronic based music across the Sahel region: Mauritania to Northern Nigeria and in-between.
6452 Article(s) by:
Ladan Osman is the author of Exiles of Eden (2019) and The Kitchen-Dweller’s Testimony (2015). She lives in Brooklyn.

A short film of electronic based music across the Sahel region: Mauritania to Northern Nigeria and in-between.

Apart from a heavy Senegalese presence, this Music Break, No.37, includes some other favorites of this site: Petite Noire, Laura Mvula, Rachid Taha and newcomer, Napoleon Da Legend.


A conversation with South African artist Masello Motana on pop stars, politicians and personhood.

The trouble with the official Dutch commemoration of the abolition of slavery. It leaves out the descendants of victims altogether.

An interview with Soraya Morayef, who is documenting the graffiti scene in Cairo, Beirut, Libya and Palestine.

Also, dispelling the myth that all Arab men systematically oppress and victimize Arab women.

What The New York Times forgot to tell you about the explosion of digital music in Africa.


Why is a photo of an empathetic group of young Dutch Moroccans visiting a concentration camp being used to illustrate so many stories in which Moroccans are a “problem”?

To my ear Achebe’s voice is always measured even at its most defiant.

Comparisons between Chinua Achebe and Nigeria’s other great writer, Wole Soyinka, will increase, now Achebe has passed.

France’s intervention never offered a real solution to any of Mali’s problems, but created a set of problems to the ones this country would otherwise have faced.
