Weekend Music Break No.86 – The WOMEX (2015) Edition

Pierre Kwenders representing Congo via Montreal

The 15th edition of WOMEX, Europe’s premiere World Music trade show is happening next week in Budapest Hungary. As African music grows in popularity globally, it is events like WOMEX that serve as a first port of entry into the continent for many non-European artists; whether traditional, experimental, or pop. In light of this year’s headlines around European migration, the need for programs such as WOMEX that inherently celebrate the diversity of human experience, and thus a truer vision of contemporary Europe, has become all the more sharp. As for the interest of Africa is a Country specifically, this year’s showcases will host a series of artists with origins in the African continent. They will be putting their talents on display with the hopes of getting picked up by European record labels, touring agencies, and/or festival promoters. So, for this weekend’s music break, Africa is a Country is happy to team up with WOMEX to present all ten artists presenting at this year’s festival:

Blick Bassey brings us “One Love” from Cameroon, a Central African smooth jam with Cello, Trumpet, and Slide Guitar accompaniment, Moh Kuyate represents with Mandinka Rock from Guinea via France; The Sarabi Band from Kenya sings against political corruption in an uplifting Ndombolo-inflected pop tune; Pierre Kwenders gives us Congolese Soul-Rap via Montreal; Vaudou Game hits us with West African Funk from France, rooted in Togo and Benin; Aziza Brahim, a displaced person from Western Sahara currently living in Spain, sings for her land and people, while showing how African Flamenco really is; Senegalese Mbalakh innovator Cheikh Lo is receiving a lifetime achievement award at this year’s conference; Pat Thomas & The Kwashibu Area band revive classic Highlife for a new generation of audiences; Mamar Kassey from Niger a updates a repertoire descendant from the ancient Songhai empire, and is here performing it live in Amsterdam; and finally, Tarek Abdallah & Adel Shams El-Din perform Egyptian classical music on Oud and Riq, live in Montpellier, France.

Visit WOMEX’s website to see the full artist lineup, and read more on the artists featured above.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.