Weekend Music Break No.84

Songhoy Blues

Whether you’re watching a game, having a drink with friends, or even getting some work in, we’ve got your weekend soundtrack covered! Here is your Music Break for the last weekend of September in 2015:

We kick it off with dark hip hop vibes from a super roster of African rappers assembled by DJ Xclusive; Continuing in that vibe Mashayabhuqe KaMamba and Okmalumkoolkat release the long anticipated video for “Shandarabaa, Ekhelemendeh”; With a lot of carbon copycat beats still lingering out of the West African Afrobeats scene, it’s nice to come across some real beat constructed innovation–VVIP and Sena Dagudu don’t disappoint in that vein; In a more “traditional”, but no less infectious Afrobeats vibe, Mazi Chuzk out of the UK turns in the video for his track “Hustle”; Yudi Fox and Big Nelo only want to slow wine with someone… Here’s their ode to the sensual dance “So Quero Tarrachar”; Fresh off a successful appearance at Harlem’s Apollo Theater, Sarkodie releases his latest album, surprisingly with a bit more vintage highlife sound; Daby Touré also released an album this past week, this is the video for the lead single “Oma”; Amerigo Gazeway has been doing some interesting re-imaginings of Soul and Hip Hop classics through his match-up mash-up series–he wins again with the best of two legends in their own game Pimp C and B.B. King; Keeping the spirit of B.B. King alive we move over to Mali’s Songhoy Blues and their recent appearance at NPR’s Tiny Desk Concert series; and finally, Orlando Julius takes us out with some real funk backed by the UK-based band The Heliocentrics.

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.