Buying, Swapping and Selling domestic workers

The blinding privilege of South Africa’s ‘white’ middle and upper class which has found new means of subjugation: online community groups.

Image from Facebook.

I generally have the expectation that every so often something racist and problematic from South Africa will show up in my Facebook feed. But even when I think I’m ready, it’s impossible to ever be truly prepared. Last month it was the slave ship ironing board designed and manufactured by the the Cape Town-based company Maid in Africa which I had never seen or heard of before. And, just a few days ago it was the ad below, posted on the Facebook page Westville Buy, Swap and Sell.

The original advertisement was posted onto the page by a man from Durban, South Africa, but disappeared after a number of people shared and critically commented on the post. He writes: “Anastasia has worked for us for 27 years, she cooks, cleans, is wonderful with animals (she sings to our puppies when she bathes them)…” Then, in order to ease middle class fears based on the assumption that all domestic workers are thieves, he certifies: “She is completely trustworthy, we have never locked valuables away, and nothing has ever been missed”. He explains that the reason for the post is that they are relocating (Australia? England?) and he is hoping that “someone in the Durban North or Pinetown area needs an Anna”. AN Anna!?

The page Westville, Buy Swap, Sell is mostly dedicated to the selling of household appliances, furniture and other objects and “Anna” is advertised here as another commodity – a ‘black’ female body rendered object to be used and discarded when no longer needed. An in-depth analysis is needed to contextualize the historio-social power relationships between ‘black’ women and ‘white’ men in South Africa, but it is clear that however well-meaning, this man has not considered his position in a country with a social history entangled in violent narratives of objectification, paternalism, patriarchy and othering. As many others have already commented, the language in this advertisement is both patronizing and paternalistic.   

This is further made evident by his response to the woman who read the advert and felt it necessary to call him out on it by trying to have a conversation over the phone. His response?:

I am amazed that a black woman phoned me this morning and had an argument with me stating that it was not appropriate to have Anna advertized on Facebook… Typical racial shit. I have had a guts full of the racial attitude of some black people …

This is exemplary of the blinding privilege of South Africa’s ‘white’ middle and upper class which has found new means of subjugation through online community groups.

comments_blank

Other examples of this are the online neighbourhood watch and community policing forums which often use racial profiling and discriminatory language to talk about (mostly perceived) perpetrators of crime. These supposedly private forums have been uncovered by blogs like Suburban Fear which highlight racial paranoia amongst middle class ‘white’ South Africans. Similarly, on the Maid in Africa Facebook page the owners have responded to criticism of their designs by claiming that their art is activism and subversive. Like the poster of this advertisement, they believe that they are ‘doing good’.

It’s concerning too that there are people who validate the blindness and denialism expressed on these forums through attempts at delegitimizing claims of hurt or discomfort from people with similar experiences and subject positions. This demonstrates incredible ignorance at a time when race is at the forefront of many conversations in South Africa, The US and elsewhere in the world. The validation allows the oppressor to award someone as good or smart for supporting the status quo, while dissenters and critics are dismissed as ‘too sensitive’ or ‘dangerous’ to society. As one Facebook user puts it:

My question is: to what extent do you even have the apparatus to understand the trauma caused to the black psyche when stumbling across a black body on a buy, swap and sell page? Furthermore, if you do not understand it (which I am assuming you won’t entirely) does that make the pain felt by those expressing it illegitimate?

Meanwhile in Brazil, where the same practice of posting of one’s domestic worker on Facebook groups is common, São Paulo rapper Emicida proposes an alternative scenario:

Further Reading

Take it to the house

On this month’s AIAC Radio, Boima celebrates all things basketball, looking at its historical relationships with music and race, then focusing on Africa’s biggest names in the sport.

El maestro siempre

Maky Madiba Sylla is a militant filmmaker excavating iconic Africans whose legacies he believes need to be known widely—like the singer Laba Sosseh.

Madiba and Mali

There is a remarkable connection between Mali and South Africa, dating back to the liberation struggle, and actively encouraged by the author’s work.

A devil’s deal

Rwanda’s proposed refugee deal with Britain is another strike against President Paul Kagame’s claim that he is an authentic and fearless pan-Africanist who advocates for the less fortunate.

Red and Black

Yunxiang Gao’s new book takes a fresh look at connected lives of African American and Chinese leftist activists, artists and intellectuals after World War II.

The Dar es Salaam years

In the early 1970s, Walter Rodney, expelled from Jamaica, took a post in Tanzania. In Leo Zeilig’s new book, he captures those exciting, but also difficult years and how it formed Rodney.

Rushing to boycott

The cultural boycott of Russia turns to the flawed precedent of apartheid South Africa for inspiration, while ignoring the much more carefully considered boycott of official Israeli culture by the BDS Movement.

The party question

Marcel Paret’s book, “Fragmented Militancy: Precarious Resistance in South Africa after Racial Inclusion,” tries to make sense of politics in South African urban informal settlements.

The missing pieces

Between melancholy, terror, and disillusion, Petit Pays is a groundbreaking and eye-opening take on one of the darkest pages of African history, one that is often misunderstood in the West.