Here is our weekend round up of audio and visuals from around the African Internet…

Kicking things off, Spoek Mathambo spearheaded band Fantasma premiered their video for Cat and Mouse this week, featuring a collection of young South African ballet dancers.

Alabama neo-trap poster boys Rae Sremmurd saw Fantasma’s video, and decided to head to South Africa for their latest as well. Some over here at Africa is a Country think they’ve spotted a Sean Jacobs doppelgänger.

The Alkebulan project is a series of EPs accompanied by a series of short stories from prominent African artists. They released the first video from the project this week.

Cape Town weirdo rappers DOODVENOOTSKAP jump in-to the Internet and dance around a bit in their video for “Protein Shake”.

13 year-old Kudurista Buriana of Cabo Snoop’s Power House crew brings us the video for “Pica malembe”.

Bebeto Bongo takes us to Burkina Faso and teaches us the Zoungou Zoungou dance.

Ghana and Nigerian dancehall link up on Shatta Wale and PatoRanking’s “Romantic”.

In honor of Afropop’s Hip Deep special this week on Afro-Peruvian music and culture, here is Susana Baca’s classic “Maria Lando” (Lando), live in Buenos Aires.

Nigerian singer Asa launched the visuals for Eyo last week. Here it is for you to enjoy today!

When Bono’s not getting run over on American television, he is promoting an end to poverty through his One organization. Here they assemble an All Star cast of African women performers for their “Strong Girl” campaign.

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.