The statue in the garbage bag

Watch: South Africa's 'born frees' gag on the rainbow nation pill they've been fed for the past 21 years.

Screenshot.

Chimani Maxwele, a student at the University of Cape Town in South Africa caused a real stink earlier this month by flinging poo at the statue of Cecil John Rhodes on the university’s upper campus, protesting that black students are offended by ‘colonial dominance’ at the university, was indifferent to black students’ classroom experiences and failed to racially transform. Max Price, UCT’s vice chancellor (the equivalent of a university president), who is white, was quick to defend the Cape’s colonial heritage, insisting on moving the statue rather than removing it. Students hit back and online debates quickly turned to protests with last week ending in the statue being wrapped in garbage bags and students demanding a removal date.

Meanwhile, 700 miles away, in Grahamstown (named for a notorious British officer who had starved the Xhosa people into submitting to colonial authority) the Black Students Movement at Rhodes University stood in solidarity with UCT protestors and demanded that the name of their university be changed. It was a sticky situation for Dr. Sizwe Mabizela, Rhodes’s new vice chancellor (VC), just a few weeks after he was inaugurated as the “first black African VC” (the university’s boast). Last week Mabizela addressed a packed lecture theatre at an emergency student body meeting, insisting that the university would lose funding should the name change. Debates will continue this week as young black South Africans, known as the ‘born frees’, gag on the rainbow nation pill they’ve been fed for the past 21 years. Here’s some video shot for AIAC by student journalists at Rhodes University:

 

Further Reading

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.