Searching for Brenda Fassie

Tseliso Monaheng and Kagiso Mnisi speak to the editor of an edited book about South African pop star, Brenda Fassie: "I'm Not Your Weekend Special."

Bongani Madondo (Image: Tseliso Monaheng).

Often the biographical genre puts the burden of accountability on the subject been written about. It reveals little or nothing about the author. The South African journalist Bongani Madondo craftly debunks that in his sophomore project, I’m Not Your Weekend Special, an edited collection of essays penned about the siren Brenda Fassie. The book invites lesser-known individuals such as Mmabatho Selemela, to heralded impressarios, like Njabulo Ndebele and Vukile Pokwana, to sit around a proverbial fireside and unpack their experiences on Fassie. I’m Not Your Weekend Special employs the celebratory endeavors of profile writing, as well as critique, to come up with a new form of biography.

What started as a solitary journey by Madondo eventually grew into an ensemble where the contributors to the volume were challenged to strum and blow their best by laying bare their inner most feelings on MaBrr, as Fassie was widely known in South Africa. They had to bleed and reveal their insecurities as much as those of the subject. A form of language precipitates from this exercise, where by default the contributors themselves engage each other in dialogue via their respective testaments.

The result: there exists a push and pull, road heaviness (take for example, the chapter, “Searching For MaBrr In The Colony’) as well as a pacifying that sends off the spirit of Brenda Fassie, who died in 2004. The editorial allure of the book lies with its ability to connect different players. It by no means attempts to be a work of simplicity, neither does it adhere to the painstaking efforts of trying to out sell all the others at your nearest book store. It is honest work toiled over by group of friends.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.