I followed The Brother Moves On around South Africa once. True story, I even wrote about it here. I’ve seen them many more times after that, and each time was a trip. On their recent trip to Cape Town, they stopped over to record some songs for the Big Leap sessions, an initiative by Assembly Radio described as “a series of intimate performances from some of South Africa’s most exciting new and established artists.” The idea is to do two songs and one original cover. The Brother decided to cover Madala Kunene’s ‘Da Tom’ (third track in their set below). It’s worth going to their show just to see them perform that one song live:

* Featured image by Greg Marinovich.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.