AfricaIs aCountry

Weekend Music Break 58

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break 58

By
Tom Devriendt

Your weekly dose of 10 new music videos. First up, from Kenya, Muthoni The Drummer Queen’s ode to Nairobi:

M.anifest, “Ghana man since 19 kojo-hoho”:

Indocile is a hip-hop crew from Liège, Belgium:

South of Belgium, representing the Congolese diaspora in France, new work by Black Bazar:

Ol’Kainry (representing Benin) and Youssoupha bring their version of that Pusha T & Kendrick Lamar ‘Nostalgia’ video from earlier this month:

Davido’s Skelewu already had an instructional dance video (accompanied by some controversy), but it comes with a new story now:

Cape Town’s winding mountain roads were made for longboarding — assuming you’ve seen this one already:

DJ Kent gets help from pop duo The Arrows on ‘Spin My World’:

Toro y Moi (an AIAC favorite) remixed Billie Holiday a while ago:

And a last South African tune to get your weekend started, courtesy Character, Oskido and Mono-T: ‘Inxeba Lendoda’:

Further Reading

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.