Three South African videos to start with. Cape Town rapper Youngsta moves between the city’s neigbourhoods of Wynberg and the CBD:

…while fellow Cape artist HemelBesem went for a stroll in Utrecht, Netherlands earlier this year. EJ von LYRIK who was on tour with him gets a cameo:

Mafikizolo seem to find a lot of fun in creating retro-styled videos lately:

A Nomadic Wax production for Diamondog, an MC from Angola, currently based in Berlin, Germany:

http://www.youtube.com/watch?v=LJMXM3SC908

From Jumanne’s archives: Kali Kwa Wote Unit from Zanzibar, ‘Tatizo Coins’ (an older song):

Baloji (who no longer needs an introduction) has two songs on the latest (and great) Red Hot compilation, both Fela interpretations. Here’s one of them:

Dinozord — from Kinshasa — could be seen dancing in a KVS-sponsored production recently but rapping is still what he does best:

A new album and a sweet video for guitarist Hervé Samb:

Rap from Québec, Canada: Webster (real name Ali Ndiaye — he has a Senegalese dad):

And another one from Angola: Puto Português and ‘Minha Passada’:

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.