Margaret Thatcher is dead

Margaret Thatcher put to rest the essentialist fallacy that women are inherently more moral than men.

Margaret Thatcher in 2007 (Wiki Commons).

If you’re wondering how we view Margaret Thatcher’s legacy (despite Fox, Rush Limbaugh, and every U.S. anchor praising her endlessly), consider this: in 1984, she invited South African dictator P.W. Botha for a state visit to No.10 Downing Street—the first such honor for an Apartheid leader since 1961, when South Africa left the Commonwealth over its refusal to end white minority rule. At the same time, Thatcher labeled Nelson Mandela and the anti-Apartheid movement “terrorists.”

In other news, the last Apartheid leader FW de Klerk (still a defender of Apartheid as late as May 2012) defended “his friend” Margaret Thatcher. Maybe De Klerk should ask around before he speaks.

He could have asked Colm Tobin, a producer and writer from Ireland, who tweeted: “Not a lot of love for #Thatcher in Ireland. As an enemy of the state she sits somewhere between Cromwell & Thierry Henry.” Even Manchester United agreed: The club is not having any minute of silence for Mrs Thatcher this weekend.

The last word goes to the American writer and journalist, Barbara Ehrenreich, who said: “I thank Margaret Thatcher for putting to rest the essentialist fallacy that women are inherently more moral than men.”

Further Reading

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.