Limbs in a Potion

DJ Sawa from Ghana, Supremos from Angola, and Irish-Nigerian Rejjie Snow, are part of Weekend Music Break, no. 30.

Y'en a Marre in Madrid

Once again, demonstrating Azonto’s global reach, the Azonto London Allstars conquer a myriad of urban landscapes with their indefatigable dance moves to the beat of a mix by DJ Sawa.

Next, with hair fit for the most flamboyant players in the African Cup of Nations, we’ve got Supremos with their video for “Namorado Cola.”

Dublin native Rejjie Snow (formerly Lecs Luther) who is reportedly half-Nigerian, has just dropped a new track called “Lost in Empathy“. With a voice oddly like that of Tyler the Creator, Rejjie, dressed in the video as a “far derrig,” spits about the tribulations albinos endure in some countries where their body parts are used as traditional remedies.

Swimming in the ocean

swimming in the ocean, vanilla face,

candy floss, limbs in a potion.

We can’t wait for ngoni legend Bassekou Kouyate’s new record to drop in early March. The record was recorded in Bamako last year just as the country’s political situation began to deteriorate. Here’s a sneak peek of what will be known as “Jama Ko.”

Because we know that fashion is circular, recycling and reimagining styles of the past, this new banging kuduro jam from Angola’s Da Magical proves that it is officially cool again to look like Milli Vanilli.

Here’s one we missed late last year: Gato Preto (Germany via Portugal via Mozambique and Ghana) worked with MC Zulu on “Musica Di Gato Preto.”

From Harare (“H-Town”, via Berlin), there’s also a new video for Zimbabwean rapper Synik.

And if you were wondering whether the Senegalese Y’en a Marre coalition was still kicking it in Dakar, here’s a 45 minutes concert recently taped at the Place de L’Obélisque, celebrating the movement’s second anniversary. (Ht NomadicWax.) Sound and image recording quality isn’t the best, but you’ll get the message.

Further Reading

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.