If Africa really is a country …

One of our readers took our title literally.

Photo Credit: Matthieu Paley.

From a reader: ‘… If Africa really is “a country” for many Americans, then that country is somewhere few outside the military have even heard of … Djibouti: AFRICOM (much of it apparently run out of a rural base here in Britain), drones-ville, the only Japanese military base in the world outside Japan, the EU’s anti-pirates clogging up the port, luxury swimming pools and bars. Throw in the Chinese Navy, mix with the still-smoldering fag-ends of the French empire, all sorts of private military outfits now cashing-in on the anti-pirate boat-protection (insurance) racket, some significant slices of both Somali and Dubai capital, add the entirety of Ethiopia’s imports thundering the place … stir at 40o celsius …’

Further Reading

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.

Bored of suppression

Colonial-era censorship bodies continue to stifle African creativity, but a new wave of artists and activists are driving a pan-African push for reform.

Drawing the line

How Sudanese political satirist Khalid Albaih uses his art and writing to confront injustice, challenge authority, and highlight the struggles of marginalized communities worldwide.

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.