If Africa really is a country …

One of our readers took our title literally.

Photo Credit: Matthieu Paley.

From a reader: ‘… If Africa really is “a country” for many Americans, then that country is somewhere few outside the military have even heard of … Djibouti: AFRICOM (much of it apparently run out of a rural base here in Britain), drones-ville, the only Japanese military base in the world outside Japan, the EU’s anti-pirates clogging up the port, luxury swimming pools and bars. Throw in the Chinese Navy, mix with the still-smoldering fag-ends of the French empire, all sorts of private military outfits now cashing-in on the anti-pirate boat-protection (insurance) racket, some significant slices of both Somali and Dubai capital, add the entirety of Ethiopia’s imports thundering the place … stir at 40o celsius …’

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.