You’ll excuse our South African focus today here and on Twitter. A burger chain writes in braille; author JM Coetzee writes about cricket; “a gym member tells of racist insults”; “Minister of Arts and Culture supports boycott, disinvestment and sanctions against Israel”; and here cartoon artist Mdu Ntuli wraps up the first month of the new year on his Izikohko Show taking a jab at Trevor Noah and the DA’s Benetton campaign. A laugh helps, sometimes.
Musical traditions and language from Edo State have moved from the margins of Nigeria’s national (and international) culture to the center.
A new documentary film examines the politics of waste work and discard infrastructures in Dakar.
A portrait of South Sudan’s unfinished journey, where political sacrifice meets everyday survival, and the burden of memory contends with the quiet power of continuity.
In Johannesburg, a new generation of Black cyclists is redefining joy, movement, and solidarity—taking over the streets to ride, to reclaim space, and to reimagine freedom.
A lack of reliable statistics and coherent strategy to address femicide in Kenya, has left a culture of everyday insecurity for women in the country.
In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.
On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.
Europe’s flagship development plan promises investment and partnership—but delivers debt, displacement, and old colonial patterns dressed up in green.
In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.
Web3 utopians promised a sovereign future for the African diaspora—but what they delivered was a networking club for elites, wrapped in crypto-libertarian hype and Afro-futurist aesthetics.
In the aftermath of the Stilfontein mining tragedy, South Africa must confront not just policy failure but a deeper amnesia: the erasure of women, memory, and indigenous ethics from its extractive economy.
The oppositional sartorial lens of Congolese sapeurs exposes the limits and frailties of representation work in New York’s Met Gala.
Cape Town’s digital nomads chase cheap luxury and scenic backdrops—but behind the matcha lattes and “social impact days” lies a deeper story of economic power, displacement, and global inequality.
With Europe increasingly closed, West African migrants are turning to the US—via Latin America. But the journey is long, dangerous, and brutally expensive, raising urgent questions about global responsibility.
In Tanzania and beyond, political elites manage informal workers not by ignoring them—but by shaping their identities, dividing their ranks, and using class to tighten their hold on power.
The EU’s hydrogen push in North Africa is sold as climate progress, but beneath the green gloss lies a familiar story of extraction, debt, and dispossession.
Trump’s April 2025 tariff blitz ignited market chaos and deepened rifts within his own coalition. Beneath the turmoil lies a battle between technocrats, ultranationalists, and anti-imperial populists, all vying to reshape—or destroy—American global power.
A new Malian film takes on the tradition of forced marriage with humor, intimacy, and defiance—reimagining African cinema as both tribute and rupture.
As American hegemony unravels, the Global South must resist both nostalgia and passivity. Multipolarity won’t arrive on its own—it must be built through struggle.
Blending Tunisian rap with Egyptian mahraganat, Lully Snake defies sexist norms, blurs borders, and opens a new space for feminist rebellion in North African popular culture.