Africa Is a Country

The West is no longer the motor of history

Africa Is a Country Podcast
African Five-a-Side Podcast

The West is no longer the motor of history

By
Sean Jacobs

The possibility of a new politics emerging from the new left social movements to reconfigure the nation state.

Image credit Alisdare Hickson via Flickr (CC).

In this video, University of California University at Los Angeles history professor Vinay Lal talks to the Indian website Newsclick about “the new movements developing in different parts of the world, whether in West Asia, North Africa to Europe and the United States. He sees the possibility of new politics emerging from this and how it can reconfigure the nation state.”

There’s also a Part 2 to the interview with Lal. It may be worth spending a day or two with Newslick interviews with experts to educate yourself on some refresher course for a third worldist understanding of global politics other than Western or non-hegemonic viewpoints on what gets covered as “international news.”

* Hat tip to Zunguzungu’s regular “Sunday Reading” posts, which I can never finish by the time the next Sunday comes around. Feels like graduate school again.

Further Reading

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.