South Africa’s Democratic Alliance, usually very slick and media savvy, have really outdone themselves with a new campaign by its youth wing. Fresh out of leader Helen Zille’s troublesome ‘AIDS Gestapo’ views and calling the ever disgruntled musician Simphiwe Dana a “Professional Black” on Twitter, the DA now give us this poster, above.

At first it looks like a parody. One Facebook commenter wrote “I thought this was a Viagra Commercial?” More like a United Colors of Benetton photo shoot from the 90s that never made it to the billboards. But to me what’s most interesting is the tagline: “In OUR future, you wouldn’t look twice.” We’re not sure who the DA is targeting here. That voting for them means that one day South Africans won’t be the racists they assume we already are?

With comments for this picture on their Facebook group nearing 700, I could only bear to read about 20. The debate has descended into racist conservatives calling the photo blasphemous, while ‘liberals’ are left defending the campaign and arguing for the normality of an interracial couple. Others have gone down the road of arguing which racial group is more oppressed. Anyone posting anything worth reading gets drowned out by inflammatory racial discourse. Is this what they wanted? Of course. The DA has since released a statement on the page saying “Thanks everyone for the comments, both good and bad, this is what we want young people to be about — debate and dialogue … we will continue to provoke this kind of debate until we live in a society truly free from all forms of prejudice — one nation, one future.” Yes, this is called “debate and dialogue” in South Africa.

The only good to come out of any of this will be to see what parodies emerge online. A few have already shown up on social media sites. Maybe the DA can use this slogan: “Viagra politics. It’ll get you fired up quick.”

Further Reading

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.