Holland is Kaaps

Afrikaans has its roots as a Dutch Creole, spoken by slaves, slave masters and workers of the Dutch East India Company at the Cape. A South African theater company took the play to The Netherlands.

Jitsvinger in "Afrikaaps."

Afrikaaps, the South African theater production which explores the mostly unknown creole history of the Afrikaans language, is currently on tour in Holland. A while. back, Sean wrote about the film I made about the show. Here. Afrikaaps is essentially an effort to liberate the language from its status as the “language of the (white) opressor,”  and taking it back for all who speak it (the majority who happen to be mostly Black, or Coloured.)

The show has been reworked for a Dutch audience, incorporating two of Holland’s hip hop heavyweights: Def P (Nederhop pioneer) and Akwasi Ansah (of the excellent Zwart Licht). As Afrikaans started as a mixing of languages in the Cape, and as a direct result of slaves and indigenes speaking Dutch, it will be interesting to see how the Dutch public respond to the show, and whether they would be open to engage with that side of their history. The jury is still out on that one.

The show premieres in The Hague on Friday the 30th. I’m currently touring with the Afrikaaps crew, making documentary inserts for use during the live show, documenting the process, and generally having a great time. If you’re in Holland , check our dates here, and stiek uit!

Some samples from the show here and here.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.