Africa Is a Country

Vargas Llosa in Congo

Vargas Llosa in Congo

By
Tom Devriendt

Not sure whether Peruvian author Mario Vargas Llosa’s new novel, El Sueño del Celta (The Dream of the Celt), has been published in English yet — so I might be spoiling it for some future interested readers if it hasn’t — but halfway through the story about the Irish diplomat-turned-nationalist Roger Casement, I already regretted coming across these photographs by Juan Carlos Tomasi (samples above and below) before reading the book. I couldn’t help but picture Casement (who was sent to Congo in 1883, where he met H.M. Stanley and Joseph Conrad) as a nineteenth century Vargas Llosa on a field trip. Granted, the book is much better than Sir Vidia’s.

Further Reading

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Domestic workers in the Gulf typically face a double bind: as a foreign worker, you are governed by kafala laws, while as a female, you are governed by the male guardianship system.

Edson in Accra

It happened in 1969. But just how did he world’s greatest, richest and most sought-after footballer at the time, end up in Ghana?

The dreamer

As Africa’s first filmmakers made their unique steps in Africanizing cinema, few were as bold as Djibril Diop Mambéty who employed cinema to service his dreams.