John Akomfrah is Brilliant
British filmmaker John Akonfrah will be artist-in-residence this Spring at New York University's Institute of African American Affairs.
British filmmaker John Akonfrah born in Ghana and raised in Britain, is a brilliant filmmaker. He has made almost 20 films (including on Martin Luther King Jnr. and Malcolm X). Try and see his 1986 film “Handsworth Songs,” about racism and racial violence in 1980s Britain; a masterpiece. There’s also “The Last Angel of History/Mothership Connection” (1995). I have also heard great things about his most recent film, “Mnemosyne.”
Take “Handsworth Songs,” it went on to win seven international prizes, including the prestigious John Grierson Award for Best Documentary from the British Film Institute. Here’s Pam Cook’s review in Sight & Sound when it was first released:
Variously described as a ‘documentary’ and a ‘film essay’ on race and civil disorder in Britain today, Handsworth Songs, as its title suggests, in fact owes more to poetic structures than to didactic exposition. Familiar TV and newspaper reportage is juxtaposed with opaque, elusive imagery, newsreel and archive material is reworked, and sound is pitted against image to release a multitude of unanswered questions about the underlying causes of ‘racial unrest’. The result is a powerful combination of anger and analysis, of lyricism and political strategy, elegy and excavation.
Akomfrah will be artist-in-residence this Spring at New York University.
He will be joined by the Ethiopian-American musician Meklit Hadero. The institute has several events planned around these two with the theme “The African Diaspora And/In The World.” They’re described as being “at the forefront of … [the] politics of new Pan-Africanism formations.” The institute’s website does not say much else as to what that implies (nor do the email notices I received about Akomfrah’s visit), so we’ll find out over the next two months.
It is the first time I hear of Hadero, but
At various points Akomfrah and Hadero will be joined by filmmaker Jean-Pierre Bekolo (from Cameroon), academic and poet Fred Moten, some of the participants of the Black Portrait Symposium, Ethiopian-American musician Danny Mekonnen, and artist Coco Fusco.
Details here.
