Unexpected Connections

When you're surprised by the links between Afro-Peruvian roots-electronic music and Kuduro-Kizomba from Angola.

Statue of a young Afro-Peruvian boy outside the Dedalo Art Gallery in Barranco, Lima. Per (Joshua Alan Davis).

Novalema is an Afro-Peruvian roots-electronic crew out of Lima. Not too many people in the U.S. (or on the African continent) are aware of the existence of the African descended cultures on the Pacific coasts of Colombia, Ecuador and Peru, even if there’s a community in the neighborhood. So I was really surprised when I saw Novalima’s song “Machete” on an Angolan chart a couple years back. If you listen close, you can hear some Kuduro-Kizomba type motifs in their style, and it’s not to hard to imagine the crossover potential. As evidenced by my obsession with the Colombia-Africa thing, it’s these types of unexpected connections I really get into.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.