Africa Is a Country

Unexpected Connections

Africa Is a Country Podcast
African Five-a-Side Podcast

Unexpected Connections

By
Boima Tucker

When you're surprised by the links between Afro-Peruvian roots-electronic music and Kuduro-Kizomba from Angola.

Statue of a young Afro-Peruvian boy outside the Dedalo Art Gallery in Barranco, Lima. Per (Joshua Alan Davis).

Novalema is an Afro-Peruvian roots-electronic crew out of Lima. Not too many people in the U.S. (or on the African continent) are aware of the existence of the African descended cultures on the Pacific coasts of Colombia, Ecuador and Peru, even if there’s a community in the neighborhood. So I was really surprised when I saw Novalima’s song “Machete” on an Angolan chart a couple years back. If you listen close, you can hear some Kuduro-Kizomba type motifs in their style, and it’s not to hard to imagine the crossover potential. As evidenced by my obsession with the Colombia-Africa thing, it’s these types of unexpected connections I really get into.

Further Reading

After the coups

Without institutional foundations or credible partners, the Alliance of Sahelian States risks becoming the latest failed experiment in regional integration.

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.