The photographer Mario Epanya wonders what a “Vogue Africa” magazine would look like. The pictures are beautiful, but do Africans really want or care about their own version of a magazine with a very problematic relation to race and things continental? For some background, see here ), here, here and here.
Oh and here are two more “covers” of the “magazine”:
The last great Fang bard, Eyí Moan Ndong fused myth, music, and sci-fi to create epic performances that defy Western categories—and demand global recognition.
El último gran bardo Fang, Eyí Moan Ndong, fusionó el mito, la música y la ciencia ficción para crear actuaciones épicas que desafían las categorías occidentales y exigen reconocimiento mundial.
Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.
More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.
Trump’s trade war is framed as a battle with China—but its fallout is exposing just how little power African economies have in a rigged global system.
In a hauntingly sincere recollection of her childhood and evolution into the ‘Most Dangerous woman in Africa,’ Andrée Blouin reintroduces herself while taking readers alongside an intimate ‘Africa Tour.’
Javier Milei rose to power promising freedom—but his government is unleashing economic violence, criminalizing dissent, and testing the limits of Argentina’s democracy.
A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.
In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.
In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?
A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.
The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.
As US aid falters, the crisis of liberal internationalism deepens. What comes next when even its strongest institutions can no longer hold the facade together?
With thousands jailed without trial, Nigeria’s justice system punishes the poor while the powerful walk free. Can real reform break this cycle of injustice?
Across the continent, music festivals are challenging industry gatekeepers and testing what it means to organize on African terms.
From kwaito to amapiano, South African music is a bridge between past and present, where cultural memory, resistance, and reinvention collide on the dancefloor.
The legacy of France’s colonial violence in the Indian Ocean is one stone that contemporary mainstream media tends to leave unturned.
As political discontent rises in Kenya, silencing women’s and queer rights in the pursuit of economic justice risks compromising the movement entirely.
As Mozambique nears 50 years of independence, its ruling party clings to power amid political turmoil, contested elections, and growing public discontent. Is this the beginning of a new struggle for liberation?
À medida que Moçambique se aproxima dos 50 anos de independência, seu partido no poder se agarra ao poder em meio à turbulência política, eleições contestadas e crescente descontentamento público.