
The New Yorker on violence against lesbians in South Africa
How does an American publication write critically about a country without running the risk of reifying sexual and racial stereotypes?

How does an American publication write critically about a country without running the risk of reifying sexual and racial stereotypes?


A recurring theme in director Akin Omotoso's films is the fraught postapartheid relationship between Nigerian migrants and their South African hosts.

The positive media surrounding ‘Cape Town as a gay paradise’ obscures far more complex realities.

Didier Drogba is the master of the unruly and the absurd: when he is in form, none of what the other team does matters.

Numbi, a gathering space for the Somali diaspora artists in the UK, expands its focus to include poetry and music from elsewhere in East Africa and elsewhere at a showcase in East London.

Learning that Radio Freedom, the exiled ANC's radio service, broadcast in Afrikaans, further undermines the idea of the language as belonging to the oppressor.


The DJ's, Venus X and Boima, talk about their approach to music, but also about their run-ins with tastemaker Diplo, who has shaped popular music tastes globally.


What is it with the conviction, held primarily in the West, that you can save yourself and the world (well, usually Africans) by shopping?

A remarkable amount of new films in recent months have used migration, detention and illegal sea crossings as their subject matter.

Malians have little patience for Amadou Toumani Touré, Mali’s former president, deposed in a coup on 22 March.

Britain's secret service, MI5, passed on sensitive information to their Libyan colleagues to torture dissidents.