• Jill E. Kelly

The legacies of Apartheid's death squads and the South African Truth and Reconcilation Commission.

• Serginho Roosblad

A Dutch documentary film explores increasing migration and trade links between African countries, their citizens and China.

• Elliot Ross

There is nothing heroic about running a cushy, big-spending non-profit like Invisible Children that works hand-in-glove with the CIA and the US military.

• T.O. Molefe

When it comes to South Africa, US media publishes articles that may have been written already before an event even happened.

• Ayobola Raji
• Roxsanne Dyssell

The latest in a series of interviews by Roxsanne Dyssel. This time, with Egyptian photographer and blogger, Mohamed Elshahed.

• Edward Echwalu

The Ugandan photographer: "It gets even more complicated being a photojournalist in Africa feeding foreign channels with African events."

• Sean Henry Jacobs

• Cláudio Silva

It marks the first time that videos went truly viral in a country in which only about 5% of the population has access to the internet.

• Alice de Vries

The Children’s Radio Foundation, which trains young radio reporters, invited pop musician Colin Greenwood to South Africa. Would the trip break with celebrity conventions?

• Dan Moshenberg

• Steffan Horowitz

Al Jazeera falls for the fiction that business entrepreneurship and corporate capitalism will be Africa’s saving grace.

• Serginho Roosblad

Traveling 'off the beaten path' in Africa seems to have become the next 'big thing' for recent graduates looking to set themselves apart from their peers.

• Jimmy Kainja

John Chilembwe is Malawi's first great anti-colonial hero. Why do our media outlets mainly rely on Wikipedia to give us “facts” about him?

• Shamira Muhammad

Africa is everywhere on "Landing on a Hundred," the new album by American guitarist and singer, Cody ChesnuTT. It's in the instrumentation, the arrangements and in his voice.

• Gregory Mann

This is not a neo-colonial offensive. The argument that it is might be comfortable and familiar, but it is bogus and ill-informed.

• Emily Wood

Plying potential audiences with expansive vistas, mystery, exotic landscapes, and ancient holdovers are time worn formulas when presenting Africa to Western audiences.

• Dennis Laumann

It's 2012 and FW de Klerk still thinks Apartheid had been beneficial to its black victims. Yet global media treats him like an analyst on South African politics.

• Jonathan Duncan

The diagnostic parameters need to be completely overhauled as they embody a Western mode of understanding which itself is culturally bound.

• Donata Columbro

The online work of Italian rightwing websites to establish the idea that immigrants are dangerous for the Italian society

• T.O. Molefe

For South African news media to be ignored is a fate worse than censorship.