Not Nollywood
An Interview with Nigerian Filmmaker Tunde Kelani.
An Interview with Nigerian Filmmaker Tunde Kelani.
The idea that a post-racial South Africa can only be achieved through the adoption of white ideals, culture, and norms by black South Africans.
There is a huge disconnect between Americans working in Africa, and Africans working in America – though they are often in the same building.
Kenneth Gyang's "Confusion Na Wa" and the growing desire for variety and novelty in Nigerian cinema.
“Thierry Henry 1:1” is proof of what happens when the marketing men make films about football.
The complexity surrounding the social and economic drivers of piracy off the Horn of Africa was lost in the media-friendly version of the story.
Egyptian director Mohamed Diab's film "Cairo 678" documents the lives of 3 women, all victims of sexual harassment and assault and who organize collectively against it.
The film "Winnie Mandela" is what happens when you combine bad history and bad filmmaking.
The U.S. premiere of Alain Gomis' new film "Tey (Aujourd'hui)," starring Saul Williams.
In their documentary installation piece “Empire: The unintended consequences of colonialism,” filmmaker team Eline Jongsma and
Why is the great director Charles Burnett (Killer of Sheep) making a state-sponsored biopic?
Ken Norton, the champion professional boxer who died this week, also had a long, though not
The negative effects of tourism, globalization, and commercialization in Zanzibar.
Harry Belafonte and Martin Scorsese are planning a TV series on King Leopold II of Belgium's brutal rule in the Congo.
Film adaption of an epic novel is a fine and difficult art; one that the creators of "Half of a Yellow Sun" did not pull off.
Andrew Dosunmu's film "Mother of George" is a film about love and tradition set amongst Nigerian immigrants in New York City.
There is something to be said about the sheer volume of highly-anticipated films made by black filmmakers or about communities of color.
This boi pic of Nelson Mandela feels like it was picked at random from the Wikipedia version of Mandela's autobiography.
From the director and singer-actors of the 2005 film U-Carmen eKhayelitsha comes a new “opera” film.
"We've got Ferraris in Africa. What they gon' say now?", says one of the young people in a new video. Is that the ethics of South Africa's young?