
To think through and beyond the nation-state
A conversation on books, borders, and belonging with Somali-American writer, Abdul Adan.
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A conversation on books, borders, and belonging with Somali-American writer, Abdul Adan.

Masekela wanted to craft a sound that avoided “world music” caricature while not simply mimicking the American Bebop he was so enamored of.

Right before he was fired, outgoing US Secretary of State visited six African countries. Here's why.

Fasting and prayer don't determine election results; and two, social media has profoundly changed the political landscape.

In the age of renewed tyranny and illiberalism, diverse political repertoires and modes of struggle from the continent of Africa offer inspiration.

As Sudanese continue to chant “Just fall, that is all” against the regime, doctors pay a hefty price for standing with them.

An US congressional delegation to Eritrea—the first in 14 years—which included Ilhan Omar, got little attention in mainstream media. Why?

On mobility, democracy and making a decolonized future for Africa.

Thanks in part to the internet, Black women in Cuba are now able to forge space and create visibility for themselves.

A guide on how to support the uprising in Sudan.
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The "Africa needs help" vs. "No! Africa can teach you lessons!" is tiring. Other than benefiting a few pundits, are we deriving any value from it?

Recreational soccer in New York City offers significant social, cultural, and sometimes economic support for the city's working class African immigrants.

The “World Music” record industry has a lot to do with what kinds of reggae music we get to hear and consume.

Drummer Asher Gamedze’s new album is a groundbreaking body of work in the musical trajectory of South African jazz.

It took time to digest Beyonce's Black Is King. Conclusion: it fails to deliver us. Instead, it's just another capitalist construction of the world.

Beyoncé, 'The Lion King,' 'Coming to America,' and the complicated politics of African representation in Black American cultural production.

Influence exhilarates. It also makes people nervous. Writers, artists, scholars, researchers—we all seem to want to be “influential.” Less often do we want to admit to being “influenced.”