
Sodade
Meaning is elusive in Cape Verde, but it does result in an existential limbo conducive to creeping, fretful madness.
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Meaning is elusive in Cape Verde, but it does result in an existential limbo conducive to creeping, fretful madness.

Senegalese designer, Adama Paris, organizer of Dakar Fashion Week, gives her opinion on the representation of African designs and designers in the fashion industry.


Since 1999, Contreras has documented, via documentary films, radio programs and photographs, dramatic changes to the Sahara.


Zimbabwean photographer, Nancy Mteki: "If we don’t stand up for ourselves, no one else is going to do it."


The latest in a series of interviews by Roxsanne Dyssel. This time, with Egyptian photographer and blogger, Mohamed Elshahed.

Erykah Badu’s online defense of her visit to autocratic Swaziland exposed her lack of knowledge about the continent.

The refusal of the US government to admit Somali referee Omar Artan is a reminder that the United States has a long history of using sports as a tool of exclusion, especially when it comes to African and African-descended athletes.

This publishing break, we contemplate why we’re all feeling so burnt out.

Akinola Davies Jr’s feature-length debut traces how Nigeria’s military rule collapsed the boundary between political crisis and intimate life, leaving families to bear the cost of authoritarian power.

The World Cup was meant to be the culmination of Omar Artan’s remarkable rise. His exclusion from it revealed something equally striking: the magnitude of the admiration he had earned at home and globally.

What’s in store for the Congolese national team, now that they’ve reached the World Cup?

In today’s India, stories of terrorism and national humiliation are being reworked into fantasies of decisive power — blurring the line between memory, myth, and politics.

The violence unfolding in Mali reflects a deeper political impasse: how to sustain popular aspirations for emancipation without collapsing into military authoritarianism.

At the 61st Venice Biennale, the late Koyo Kouoh’s decolonial vision shaped a landmark exhibition, even as questions of representation, solidarity, and cultural authority continued to haunt the African pavilions.

What becomes possible when the psychic weight of labor, migration, and extraction is, even briefly, set down?

Part performer, part cultural ambassador, and increasingly, a political flashpoint.

Amid a flood of Western fast fashion waste, Dakar's designers upcycle discarded clothes into bold, sustainable styles.