
The Venice Biennale and the problem of nationalism
Okwui Enwezor’s “All the World's Futures” is a radical attempt at shifting the paradigms of biennale models to create a more democratic society of artists and exhibition spaces.
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Okwui Enwezor’s “All the World's Futures” is a radical attempt at shifting the paradigms of biennale models to create a more democratic society of artists and exhibition spaces.

South African hip hop audiences blatantly ignore Ill Skillz’ craft because they're from Cape Town.


What a very white book launch in a very black neighborhood in downtown Johannesburg reveals.

On Mozambican TV, South Africa is divided between the people of good will with their pots of rice, and the people of Goodwill with their knobkieries and pangas.

When the rapper Akala called out Britain's racism on Frankie Boyle's show.


Badilisha is rare: an African project funded by a mix of government and private art donors, facilitating media access to African poets.


The truth of our global age is that autochthony, nativism, or heritage no longer define us exclusively. So, solidarity based on phenotype or heritage is dangerous.

Often championed as a human rights defender, the Netherlands continuously fails miserably in politically protecting and socially including refugees.

An interview with director Tala Hadid and producer Danny Glover of "A Narrow Frame of Midnight," set amidst political turmoil in Morocco.

In May 2015, Lesotho lost one of its most vibrant and creative minds, the photographer Hlompho Letsielo.

Yvonne Seon, later a college professor, thought Lumumba was a “decisive leader” that “cared deeply about his people."

The film 'Red Leaves’ is a timely depiction of the Ethiopian-Israeli struggle.

When are African states establishing joint military bases to secure trade routes or fight off piracy instead of diversifying the source of foreign influence on their territories?


