
Thoughts on xenophobia from a South African in Mozambique
On Mozambican TV, South Africa is divided between the people of good will with their pots of rice, and the people of Goodwill with their knobkieries and pangas.

On Mozambican TV, South Africa is divided between the people of good will with their pots of rice, and the people of Goodwill with their knobkieries and pangas.

The truth of our global age is that autochthony, nativism, or heritage no longer define us exclusively. So, solidarity based on phenotype or heritage is dangerous.

These young ones who have just been born do not respect authority simply because the rules say they should.


To bear witness to the cacophony of Rhodes Must Fall, as though trying to recall the days of a revolution I was born too late to witness.

Santu Mofokeng’s photographs keep you wanting to know who are these people, what's their sophistications, and what's going to happen to these aspirations?


Cape Town artists, Hasan and Husain Essop, tackle the struggle for land, adequate housing, education and equality in South Africa in their work.

Afripedia is a visual guide to contemporary urban culture on the continent.

The life and times of Mr Peter Buckton, a worker at the University of Cape Town in South Africa, which is currently the focus of student protests.

To seriously respond to xenophobic violence, start with the deconstruction of border politics and acknowledging the colonial inheritance the border represents between countries.

The arrogance of apartheid-denialism at Stellenbosch University.

The ethno-nationalism that marked apartheid’s dying days has now morphed into a malignant “nativism” that threatens post-apartheid democracy.

Like many other African states, South Africans discharge their anger at political failings on easy scapegoats: those they deem foreigners.

Why has this country historically represented a “circle of death” for anything and anybody ‘African’?


A review of a documentary film about the life of Albie Sachs, a noted antiapartheid activist and later Supreme Court Judge in postapartheid South Africa.

Johannesburg artists investigate power and its structures to interrogate the invisible forces that create them and to imagine alternatives.
