
Soweto Punk Revolution
A punk festival comes close to what one would imagine the DIY-embracing, eccentricity-accepting and obedience-ignoring CBGB’s of the ‘70s to have been like.
A punk festival comes close to what one would imagine the DIY-embracing, eccentricity-accepting and obedience-ignoring CBGB’s of the ‘70s to have been like.
This and other lessons from the South African front lines.
The split within South Africa's largest trade union federation, COSATU.
Public art, the vandalism of Nelson Mandela’s legacy for commerce and the spoiling of public space in Cape Town.
The KwaZulu-Natal Midlands has a bit of a reputation as a “sleepy hollow.” But it was a crucial node in the struggle against apartheid.
Considering the proximity of celebrity culture to how capitalism operates in Africa, why is it not given more serious attention?
Rather than the endpoint of the post-apartheid urban crisis, deficient delivery reproduces it anew, accentuating discontent in the process.
Done 'debating' whether “Larney Jou Poes” is free speech? Let's talk about the conditions of farmworkers.
What role should media play in the midst of controversial cultural expressions, like songs that address racist violence by white farmers against their workers in South Africa?
A Cape Town hip hop group causes a huge stir with its music video "Larney Jou Poes" (roughly translated: Boss, your cunt.) depicting an uprising by farmworkers.
The country’s first School of Etiquette situated in one of Johannesburg’s rich northern suburbs is more evidence of how much its public culture has slid to the right.
The fact that the choices for black people under Apartheid were either martyrdom or compromise was part of the injustice of that system.
Legacies of colonialism and apartheid are etched into social dynamics of the town in the way its inhabitants occupy public space. The same goes for the university.
How an an annual, independently-run series of events founded in 2011 in the Eastern Cape have propelled the genre in that South African province.
The essayist T.O. Molefe (he is a contributor here too) has a new op-ed column up at
That old excuse of ‘We didn’t know’ (previously also heard as ‘Ons het nie geweet nie’ and ‘Wir haben es nicht gewuszt’) may be factually accurate, but it is never an ethical defense.
Africa is a Radio went on break last month along with Africa is a Country, so
Her nudity wakes us up, either in protest or solidarity to the fact that everything is not okay in South Africa.
The politics of three prominent South African films: the classics 'Come Back Africa,' late-1980s 'Mapantsula' and Oscar winner 'Tsotsi.'
James Matthews has the distinction of being one of the first Black Consciousness poets and publishers in South Africa. He is the subject of a documentary by director Shelley Barry.