
How not to write about Duke Ellington
Everything that is wrong with Adam Gopnik's New Yorker essay on Ellington (and the Beatles).
Everything that is wrong with Adam Gopnik's New Yorker essay on Ellington (and the Beatles).
Before Eusebio, it was unthinkable for a European national team to be dominated by or build around players of African origin.
A very subjective list of the top ten films of 2013.
I’ve had Shane Cooper’s “Oscillations” in my possession for the past four months. From the onset, it
The Senegalese director, Khady Sylla, made films out of the impossible and the untranslatable.
We have no illusions about Sandler having a responsibility to create smart cinema.
The Johannesburg-based crew challenges the status quo in South Africa with dance.
How does one hold on to a deeply rooted sense of self, a cultural identity, and make new paths to adapt and make new forms of home?
The melodic world alive in the work of Somali author Diriye Osman.
Few rappers on the continent have been as prolific as Sarkodie this year. The Ghanaian emcee
Martin Scorsese digitally restores Djibril Diop Mambéty’s masterpiece Touki Bouki.
A Kenyan film asks in order to evolve, what part of ourselves do we keep and what part do we leave behind.
A playlist of jazz tunes dedicated to South Africa's first democratically elected president, Nelson Mandela.
Are corporate entities really well intentioned in celebrating Mandela the freedom fighter or are they merely using these tributes to position their brands on the right side of history?
Netta Kornberg watch film trailers so you don't have to: This time, Namibian short films are the focus of her #TrailerTakedown.
For the author, watching memorials for Mandela, South Africans have lost their ability to generate theater, the theater of the mass event.
Hollywood films about Nelson Mandela separates him from the movement that produced him. The fact is, movements made Mandelas, not the other way around.
Safiath, ZM, Habsou Garba and Fati Mariko: producing diverse sounds in rap, hip-hop and soul.
Parody performers, the Naija Boyz, take on Miley Cyrus' "Wrecking Ball." It is unclear what they're trying to say.
The film is a complex and nuanced exploration of the questions and limits of what one will do for love, told by an unorthodox filmmaker.