
Dreadlocked Rapunzel
The struggle to Africanize folktales that have been thought of as “owned” by rigid European narratives and European aesthetic expectations.

The struggle to Africanize folktales that have been thought of as “owned” by rigid European narratives and European aesthetic expectations.

The collective BE.BOP works to introduce a decolonial way of thinking about the visual arts in Europe and Africa.

Some young Danes thought they'd have some fun with colonialism.

The meticulous engagement by Noura Mint Seymali with the history of her country Mauritania, the current global music landscape, and her own personal journey as a musician.


Except for the people that saw her take pictures, nobody else knew what the Chicago street photographer did and very little was known of her.

What does AKA adds to the conversation about rap music in South Africa?

Tseliso Monaheng and Kagiso Mnisi speak to the editor of an edited book about South African pop star, Brenda Fassie: "I'm Not Your Weekend Special."

Though hip-hop aficionados rate them as one of the best hip-hop outfits this country has ever produced, Tumi and the Volume are largely invsible in local media.

No, soccer is not invading the United States. It's been here all along.

The artist Mohau Modisakeng mines the contours of colonial and post-colonial history.

Brenda Fassie was a woman who stepped out of line, talked out of turn, wore the pants, pulled up her skirt and loved women and men.

The messiness, subjectivity and imprecision of football are being eroded from the game, argues the Nigerian novelist and football fan.

Lesego Rampolokeng's tribute to an old school pioneer and one of the key builders of the South African hip hop scene.

High school students, a women's choir, traditional instrumentalists, bands using hand-made instruments, and a tour guide whose nom de guerre is Harry Potter.

E, no Brasil, Neymar não é negro (ou preto).


The rap music of Z'Africa Brasil — composed of rappers Gaspar and Funk Biu, DJ Tano and producer Pitchô.