Not just some passing foreign journalist

Lawyer and writer Elnathan John interviewed U.S. photographer Glenna Gordon. Listen.

A wedding photographer snaps a northern bride with her husband and brother at a ceremony in Kano, Nigeria (Glenna Gordon).

Glenna Gordon is a freelance photographer based in Brooklyn. She takes evocative pictures of everyday life in Nigeria, showing a special interest in Northern Nigeria. In this interview, Glenna opens up on misconceptions of the north, what drives her as a photographer and storyteller, the ways in which she captures intimate moments and her most recent project: photographing belongings from the abducted Chibok school girls.  She shows, in her words and in her work how invested she is in the lives of her subjects- not just some passing foreign journalist looking for a third world photo. Elnathan speaks to her in Abuja. Here.

Image from Glenna Gordon’s “Nigeria Ever After” Series.

Further Reading

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.