
In Search of the “African Middle Class”
Who would guess that a little over a decade ago Africa was mostly described as “the hopeless continent”?
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Sheila Adufutse is a feminist activist and trained as a project manager.

Who would guess that a little over a decade ago Africa was mostly described as “the hopeless continent”?

Nollywood, the world’s second largest film industry, produces over 2000 films annually, and now, seven of its best will be screened at France’s first ever NollywoodWeek Paris.

The ways in which Nelson Mandela’s image as a referent of South Africa’s recent past has been appropriated, signified and transformed into material form as commemoration.


After years of being frozen out by Bingu wa Mutharika’s administration, President Joyce Banda has restored the IMF to the top table of Malawian policy-making and pushed through a sweeping reforms at their behest.

VICE partners with old media, makes sponsored content, owns an ad agency, and cozies up to Murdoch—despite its edgy style and fresh take on news.

An interview with the American-Nigerian-Jamaican artist Temitayo Ogunbiyi.

An interview with the filmmaker Dehanza Rogers, about the film “Sweet, Sweet Country,” a fictional film capturing the harsh personal choices of Africans in Clarkson, a town in Georgia known for its large immigrant population.

It’s not just Euro-Americans who want to save Africa. Celebrities and entertainers from Asia and Eastern Europe want in too.

Claudio Silva emailed fellow Angolan, photographer Rui Sérgio Afonso, to tell us about his favorite images.

Our weekly update post of things we did not blog about includes a derby goal, a film about the Williams sisters and the passing of a major 20th century South African intellectual.

Bi Kidude, who died on April 17, 2013, was probably Tanzania’s foremost singer and performer of Taarab music.

Nigeria’s ruling class, when faced with criticism, always go for censorship, to silence their critics.

The most creative, incisive political arts and literary publication produced on the African continent, or anywhere for that matter.

An interview with Swedish photographer Jens Assur about his exhibition, “Africa is a Great Country,” about representation of Africa and visual clichés in general.
