
Like a bad joke
Israel’s arms exports to African countries has more than doubled in the last four years: African countries spent $223m on Israeli arms in 2013 compared to $107m in 2012.
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Sheila Adufutse is a feminist activist and trained as a project manager.

Israel’s arms exports to African countries has more than doubled in the last four years: African countries spent $223m on Israeli arms in 2013 compared to $107m in 2012.

I am afraid of Ebola because it is an enemy of critical and balanced thinking about Africa, about disease, about our common humanity.

Legacies of colonialism and apartheid are etched into social dynamics of the town in the way its inhabitants occupy public space. The same goes for the university.

Why is it so difficult to understand when we Africans say that it’s offensive?


Politics in and about Ethiopia has become so heavily “ethnicized” that we have a difficult time distinguishing between ideology and identity.

Differences can be harmonious and allow people to come together despite their background and roots.

Lara Pawson’s book about the complex and violent events on and after the 27th of May, 1977: the date of a supposed coup d’etat in Luanda, Angola.

The Dutch state and its economy are profiting generously from their annual blackface partay.

That story about Akon, the Senegalese-American R&B singer, performing in an air bubble to thousands of screaming Congolese in Goma, because he doesn’t want to get Ebola is false

The need to move the art discussion away from Darwinian interests in gorillas to the concern for new audiences for contemporary art in Africa.

The story of Ba re e ne re, now probably Lesotho’s premier literary festival as told by those involved from its start in tragic events.



As a filmmaker, Matsetela wants to be an alternative voice, in a topography that’s filled with stories by others, like Django Unchained, defining black people.

“The metaphysical properties of hip-hop, the metaphors, helped me imagine a better world.”

If “Exhibit B” truly offered the profound critique of slavery and colonialism its creators claimed, why the outrage? Why object to confronting silenced, gazing human “tableaux”?

Burkinabe want to sweep out bad governance, political patronage, poverty, lack of respect for human rights and freedom of speech.