
The Cape Town Beat Scene
Ts’eliso Monaheng meets with Cape Town’s beatmakers, including the celebrated jazz bassist, Shane Cooper, known as Card on Spokes.
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Sheila Adufutse is a feminist activist and trained as a project manager.

Ts’eliso Monaheng meets with Cape Town’s beatmakers, including the celebrated jazz bassist, Shane Cooper, known as Card on Spokes.

In the work of the novelist, Okey Ndibe, the influences of the United States, especially that everything is available for a price, is everywhere in Nigeria.

Germany’s military shift represents the country’s belated entry into a “colonial present.“

I asked African and Africanist thinkers and commentators what they make of Syriza’s approach to dealing with creditors and what wider connections they can draw to our conditions.

The author writes about a fleeting encounter with the former captain of Nigeria’s national football team, Sunday Oliseh.

A documentary film follows basketball Serge Ibaka on his return to the country of his birth, The Republic of Congo.

An interview with documentary filmmaker, Adam Sjöberg, on the choices he made for his film, “Shake the Dust,” about documentary.

In Morocco, the real story is once more that of women organizing, pushing back and pushing forward, creating new spaces precisely where others try to shut them down.


Chile’s 2015 Copa America win won’t heal any of the political or social issues Chile is dealing with. But that’s fine.

What happened when an Argentinean cartoonist took inspiration from an iconic moment in African-American struggle, replaced the black athletes with monochrome white figures to make a point about gay rights.

Facebook has decided my name is weird and hard and I have to prevent awkward situations by teaching my “Friends” how to say it.

It’s surprising how little the failures and destruction of Bill and Hillary Clinton’s presence in Haiti have been brought up so far.

Black people should not be held not responsible for the social limits and ideologies undergirding legal structures.


The agreement to establish a truth commission for Colombia have the sides looking at the South African experience.


The astonishing lengths to which the South African state went to demean and diminish Marikana miners, dead and living, and their loved ones.

During a visit to Durban Pride, the authors conclude that democracy feels strange. For one, it feels like increased LGBTI visibility and increased backlash.