
Who no know go know
The words and images found in the Chronic have a tendency to defy simple consumption.
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Rita Nketiah is a feminist researcher, writer and activist living in Accra, Ghana.

The words and images found in the Chronic have a tendency to defy simple consumption.

A group of artists attempt to democratized the image of the country’s past through ripping clips off Youtube to re-author what South Africans once knew.

A group of graduate students in New York photograph the city’s immigrant and refugee communities, especially the African ones.

The first of our weekly posts on football’s goings-on, focusing on the politics of money, identity, and the power struggles shaping the game.

Ethiopian photographer Michael Tsegaye doesn’t want to be pigeonholed. Neither does he want his country to be. So his art actively works against that.

Alex Lomani is part of the Congolese diaspora, who has lived in the US, the DRC and South Africa. He has just released “Mélancolie Joyeuse,” a free EP on Bandcamp of four songs that each speak to his personal experience over the past couple of years.

When Forbes, who used to celebrate the Dos Santos family, starts asking questions about the wealth of Angola’s rulers.

Why does Oprah Winfrey or anyone else need a $38,000 handbag and why would someone sell her that.

What are the politics of the briefly banned film “Of Good Report”?

The film “Zulu” – starring Forest Whitaker and Orlando Bloom – are getting lukewarm reviews. Is the novel, it’s based on, any good?

This week’s Weekend Music Break, no. 50, includes a homage to the 34 striking miners murdered by South African police in August 2012.

The photographer Scarlett Coten wants to look beyond accepted stereotypes of Arab men, exposing a more diverse, and perhaps softer image.
The question is whether a reality TV show — focusing on visiting Italians — filmed in refugee camps in 3 African countries is useful.

Namibian literature is a subject that usually draws a blank look and those deeply involved face many frustrations.

Many believe slavery was a “black page in history.” This is a false representation of history and insulting, given the legacies of slavery are so present today.
Running like a blue thread through the history of South African liberalism is a readiness to defer to white prejudices that has been consistently repaid in the coin of unambiguous rejection.

Emeka Ogboh’s experimental videos and soundscapes of Lagos, Nigeria.

In 1988, Basquiat traveled to Cote d’Ivoire, anticipating “very unsophisticated” Africans would see his art. That’s not what happened.