
We are angels, victims of everybody
Looking inside ourselves and working on the dark hearts of our colonial crap.
6437 Article(s) by:
Rita Nketiah is a feminist researcher, writer and activist living in Accra, Ghana.

Looking inside ourselves and working on the dark hearts of our colonial crap.



Namibian filmmaker, Perivi John Katjavivi: The black voice in cinema occurs on the margins and is filtered, distorted, watered-down, negotiated, corrupted.

To bear witness to the cacophony of Rhodes Must Fall, as though trying to recall the days of a revolution I was born too late to witness.



Santu Mofokeng’s photographs keep you wanting to know who are these people, what’s their sophistications, and what’s going to happen to these aspirations?

This is our Teca–basically introducting you to some of the coolest, hippest, most recent music from cities around Latin America.

Why the author asked for his work to be withdrawn from a prestigious literary competition.


The South African question is far too important to accommodate an explanation that is simplistic and childish.

Cape Town artists, Hasan and Husain Essop, tackle the struggle for land, adequate housing, education and equality in South Africa in their work.

Ten films we can recommend at the 2015 New York African Film Festival. The theme coincides with that of the United Nations and highlights women filmmakers.

How did Burundi go from being the hallmark of power-sharing success to an increasingly polarized country?

The Danish-Trinidadian artist Jeanette Ehlers is using the white man’s tools to strike back.

Afripedia is a visual guide to contemporary urban culture on the continent.

Smugglers are in most cases merely the “poor man’s” travel agent; a deregulated, brazen, relatively cheap and lucrative travel agency for refugees and people with no passports.


Rather than spending money to fix massive inequalities, the U.S. funds militarizing the police, incarcerating black youth, and state violence.