Boddhi Satva and Kaysha bring Congolese Music to the deep end

Boddhi Satva recently announced a very exciting collaboration between himself and international Zouk legend Kaysha. For those who are unfamiliar with the current African House movement, alongside names like Black Coffee, Osunlade, and DJ Djeff, Boddhi Satva has become one of the scene’s lead sonic innovators. His style is marked by ther merger of Central African drum patterns with a dark, and percussive synth palette — a sound he calls Ancestral Soul. It is this sound in particular has been really making strides to bring African House to the global mainstream. Besides releasing a remix series (1, 2, and 3) of international pop hits, his recent collaboration with Naija Pop luminary Davido, and Coupe Decale star DJ Arafat is one of the tunes with the biggest reaction in my own sets today.

On the other side of this collaboration, Kaysha is a household name in the international Zouk and Kizomba scenes. However, it is his alter-ego Mr. Shada, under which he has shown to be quite a forward-thinking beat maker — experimenting with Kuduro, Coupe Decale, and House in an endless stream of releases, and churning out some of those scenes’ biggest productions. I was rife with anticipation for what would result from their team up. And, I was not disappointed:

Apparently “Mama Kosa” is the first time Kaysha is singing in Lingala on record. Besides the skill with which Kaysha delivers the animateur style vocals, I personally think Satva is at his best when producing for Lingala, or specifically referencing Congolese music (a main source of inspiration for much of the Afropop popular today) in his productions. It is at that moment, when the MC bounces above the deep drum programming that you realize what Satva is in fact doing is moving Congolese Rumba past its 20 year Ndombolo stagnancy (with all respect due to Fally Ipupa), and putting it on a path to the future.

The full release features a remix by Afro House specialist Atjazz, and as an added bonus Kaysha appears as Mr. Shada to provide his own remix of the track (above version). Both are fire interpretations, so pick up your own copy from Satva’s Offering Recordings to hear all three versions in their full glory!

 

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.