Latest episode of Radio Netherlands Worldwide’s ‘My Song’ series features politically engaged Senegalese rappers

Fed up with what a group of young Senegalese describe as the state of mind of their society being one of ‘defeat’, they decided to start a collective called Y’en a Marre, meaning ‘we are fed up’. Although they came from all walks of life – a mishmash of musicians, activists and journalists – they had one thing in common: to bring about change in Senegal. One way to do so was through music. So the hiphop component of the collective decided to write the song ‘Dox ak sa gox’, meaning ‘To work with your community’.

The Radio Netherlands Worldwide (RNW) series “My Song ” interviews musicians about their music. (Previous episodes are archived here). In the latest episode of the series My Song, Senegalese rappers Djily Bagdad and Thiat reflect on their song and the work of Y’en a Marre.

For a French interview with Y’en a Marre member Fou Malade, click here

* My Song, the series, is produced by Africa is a Country’s own Serginho Roosblad. It is filmed by Sandesh Bhugaloo and edited by Serginho. Sophie van Leeuwen helped out on this episode.

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.