Africa Through a Lens

An online archive of photos taken from the Foreign and Commonwealth Office photographic collection housed in the UK's National Archives.

A dental assistant attends a patient at the Dental Unit, Princess Margaret Hospital, Dar es Salaam (1960) - Catalogue reference: CO 1060/164.

Last week I wrote about Afrobarometer, a site featuring survey data from 35 African nations. Since Afrobarometer is based among multiple continent-based partners, this week I wanted to feature a project that is based in the United Kingdom (in future weeks, expect projects based in the U.S., France, and a range of African nations).  By varying the perspectives of the projects that are featured in this series, this series can showcase a range of perspectives and approaches to African digital archives. This week’s featured archive is Africa Through a Lens:

Put together by the National Archives in the United Kingdom, Africa Through a Lens is part of the wider World Through a Lens collection, featuring photos taken from the Foreign and Commonwealth Office photographic collection housed in the National Archives.  This collection covers nearly a century of history on the African continent, with content from 25 countries from the Scramble for Africa, the colonial era, and the era of independence.  Jenni Orme, Diverse Histories specialist for the National Archives, summarized the importance of this collection in an introductory podcast for the project, explaining that this collection allows for “glimpses into one of the most challenging times in the history of the British Empire and the political formation of the Africa that we recognize today.”  These glimpses are obviously glimpses through Western eyes, but through these photographs the viewer is granted “a chance to see and imagine the experiences of those who were being observed,” making this, according to Orme, “both a personal as well as a political collection.”

Type hairdressing (1901) – Catalogue reference: CO 1069/34

The photos have all been posted on the National Archive’s Flickr account, allowing for both easy access and commentary.  The project encourages users to contribute any insights they have on the photographs in the comments.  This is especially useful for the photos that there is limited data available on, cataloged under “Africa-Unknown”.  Users can comment on these photos, adding their own insights and ideas about their content and location.  This is an awesome feature for this site, because it allows users to participate in the cataloging of these materials, opening up knowledge production beyond the archive and into the general public.

Follow the National Archives UK on Twitter @UkNatArchives for updates and announcements about their collections.

  • Feel free to send me suggestions in the comments or via Twitter of sites you want us to cover.

Further Reading

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.