I’m taking cues from Africa is a Country’s contributors this week. First up, Boima dropped by Amsterdam’s African Hip-Hop radio’s studio and delivered this set. One of the tracks featured on there is ‘TOHL’ (above) by Togo-born tabi Bonney (real name: Tabiabuè — father: Itadi Bonney), featuring Fat Trel. I don’t believe it was aired on Dutch radio before. Next, Mali-born Abdoulaye Diarra aka Oxmo Puccino (I could have sworn Hinda already featured him in one of the Paris is a Continent posts): 

Etzia is part of the Swedish women’s dancehall reggae movement Femtastic. This is her most recent ‘Same Thing A Gwaan’:

Mikko (he knows his Nordic music) adds: “There’s also the more poptastic Serengeti with their new video, or one of their older ones.”

In ‘Izulu Lelam’ (“heaven is mine”), Cape Town’s Driemanskap family express their trust in a brighter afterlife. This is the first video from their forthcoming second album Hlala Nam:

Then The Weeknd’s saccharine ‘Enemy’ (H/T Dylan) — Abel Tesfaye likes to quote Haile Selassie, but here he channels Morrissey:

http://www.youtube.com/watch?v=-3VIh8ZB-M8

Orlando’s piece on Hassan Hajjaj’s work (later reprinted in The Guardian as a wonderful spread) carried a photo of gnawa-player and Electric Jalaba member Simo Lagnawi together with Paris-based Kora-player Boubacar Kafando. Here’s an Electric Jalaba living room gig:

… and another live performance: the new project “Acoustic Africa: Afropean Women” is a collaboration between Côte d’Ivoire singer and percussionist Dobet Gnahoré, Manou Gallo, former Zap Mama bassist, and Cameroonian singer Kareyce Fotso. Siddhartha wrote a feature on them for The Boston Globe this week (they’re performing there). Here they are on stage in Bamako:

Ugochi plugged her latest music video on AIAC’s Facebook wall the other day, calling it “a product of my Naija root and Chicago soul influence”. It takes a while before the actual tune starts:

Football player Vincent Kompany — this is for Sean and Elliot — is getting into the music business. I read in the local (Belgian) press that he has plans to start up a new music label. Belgian-Congolese Coely already got a phone call:

And to wrap up the week: Zambian Zone Fam’s new video, shot in Nairobi. They’re getting big:

http://www.youtube.com/watch?v=5HMt7cp4yLA

That’s it, back on Monday!

Further Reading

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.