AfricaIs aCountry

Friday Bonus #MusicBreak

Africa Is a Country Podcast
African Five-a-Side Podcast

Friday Bonus #MusicBreak

By
Sean Jacobs

Yes, I’ve been listening to pop music a lot. You get work done and don’t have to think too much. First up above is Nairobi’s Camp Mulla and their generic rap pop.

Then Nigeria’s Iyanya presents “Ur Waist.” Yes, he could not have been more obvious:

More Nigerian pop: “Fine Lady” by Lynxxx (featuring Wizkid) with its brief Fela sample.

Might as well get continental here. Congolese pop from Shakalewe:

… and Zambian pop from B1 and Debra:

Congolese-French rapper Youssoupha pays homage to his father  — 1970s Congolese rumba star Tabu Ley Rochereau (Google him if you don’t know):

Cane Babu and Young Starz Basagalamanya Squad from the Ugandan capital, Kampala, where the desperate ruling party puts forward 19 year olds for election to Parliament:

Second generation Cape Verdean migrants to The Netherlands shout out Nelson Mandela and the modern state’s founding father Amilcar Cabral:

The Ghanaian-German singer Y’akoto, all neo-soul, with “Good better best”:

And Brooklyn-based Kilo Kish shot this video around Manhattan:

* Bonus: I’ve blogged about this South Sudanese immigrant rapper (more marketing genius) based in Australia before:

http://www.youtube.com/watch?v=H8VoiVi-yJA

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.