By Abdourahman Waberi
Released only a week ago, ‘Intouchables’ the film (by Eric Toledano & Olivier Nakache, France, length: 1h52min) is having the most amazing success in France since Harry Potter hit. Supported by a duo of fantastic actors: François Cluzet playing Philippe (a while billionnaire paralyzed in a wheelchair) and Omar Sy as Driss (his young out-of-the banlieue black help).  Here‘s a link to the trailer (in French). More than 2.5 millions viewers have already hailed that sweet and sour comedy. Omar Sy (with his stand up comedy partner Fred) has was discovered by the Canal Plus cable channel, just like the actor and humorist Jamel Debbouze. Omar Sy, Jamel Debbouze, rapper La Fouine and Chelsea striker Nicolas Anelka all have one thing in common: they were born and raised at Trappes, a poor city not far from Versailles. Big Omar (he’s 6.3 feet and even richer in talent and funnier ) is rumoured to get a César Award for Best Actor in February 2012. And France will surely boast of at least one Black movie icon.

Photo Credit: Prakash Topsy.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.