The Rwandan Glass Ceiling

When does being a Rwandan woman matter? When that woman is a killer, a rapist, a torturer, a `monster.’ Not when she is an organizer and a healer.

Paul Kagame, longtime President of Rwanda (Wikicommons).

Last Friday, June 24, Pauline Nyiramasuhuko and her son Arsene Ntahobali, were found guilty of genocide, war crimes and crimes against humanity, including multiple rapes of Tutsi women and girls in Rwanda. The two were tried at the International Criminal Tribunal for Rwanda, located in Arusha, Tanzania. The ICTR is a United Nations tribunal. Nyiramasuhuko was sentenced to life imprisonment. Pauline Nyiramasuhuko was family affairs and women’s development minister in the administration of President Juvenal Habyarimana. By all accounts, Nyiramasuhuko, a Hutu, organized and led massacres, torture and mass rapes of Tutsi women and girls in the border town of Butare. Nyiramasuhuko is the first woman to be found guilty of genocide by an international tribunal, and the Western news media had a field day: “Rwandan ex-minister becomes first woman convicted of genocide”: “Rwandan woman, a former govt minister, is first female convicted of genocide; son also guilty”. The BBC was particularly enchanted by the killer’s gender: “Rwanda genocide: Verdict due for female former minister”; “Profile: Female Rwandan killer Pauline Nyiramasuhu”. That’s one helluva glass ceiling.

When does being a Rwandan woman matter? When that woman is a killer, a rapist, a torturer, a `monster’. Not when she is an organizer and a healer.

Ask Chantal Kabasinga. Chantal Kabasinga is the President of AVEGA Agahozo, the Association des Veuves des Genocides, the Association of Widows of the Genocide. In 1995, barely a year after the end of the genocidal war, twenty-five widows started organizing. They started organizing their lives, their communities, their country, the world. They said, “Agahozo”. Agahozo is Kinyarwandan for “dry one’s tears.” They said, ““Que les cris des martyrs empechent le Silence et l’Oubli”. “Let not the screams of our martyrs lead to Silence and Forgetting.”

Today, AVEGA Agahozo numbers over 25,000 widows and over 71,000 dependents and orphans. On Thursday, June 23, AVEGA Agahozo was announced as the ninth, and final, recipient of the Gruber Foundation Women’s Rights Prize. The Foundation sent out a press release, which was picked up by Women News Network, and pretty much no one else, at least not among the so-called Western media.

Search for Chantal Kabasinga’s name in The Washington Post, The New York Times, the BBC, the Guardian, the Christian Science Monitor, and you’ll come up with nothing. But seek Pauline Nyiramasuhuko and ye shall find. Why? Why is one woman more important than 25,000? Because `the world’ loves African women monsters who sow the seeds of despair. Autonomous, independent African women organizers and healers, African women who create the material and living spaces of hope? Not so much.

Further Reading

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.