Riveting piece of journalism in this weekend’s New York Times Magazine as well as an accompanying video piece (narrated by correspondent Barry Bearak) on the ordinary murder of a Zimbabwean migrant and widespread mob “justice” in Diepsloot, a squatter camp to the north of Johannesburg. The piece is generally good.  As one friend remarked: “To his credit, Bearak’s clearly made an effort at getting to know Diepsloot and writing a good story. While it has a whiff of Rian Malan‘s ‘Hammerman’ tale towards the end, with the white man’s discovery of and fascination with muti, etcetera, it is generally good, and didn’t stray into laziness.” So go ahead and it.

Further Reading

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.

Drawing the line

How Sudanese political satirist Khalid Albaih uses his art and writing to confront injustice, challenge authority, and highlight the struggles of marginalized communities worldwide.