Sacha Baron Cohen’s Gaddafi spoof
The trailer for Sacha Baron Cohen’s latest comedy, “The Dictator,” where he plays a thinly veiled
The trailer for Sacha Baron Cohen’s latest comedy, “The Dictator,” where he plays a thinly veiled
Twelve years after ground was first broken on an oil pipeline between Chad and Cameroon, the
The German writer Norman Ohler described Johannesburg’s Ponte City, Africa’s tallest residential building, thus: “Ponte sums
On the screen, South Africa's TRC has invariably been sensationalized into a showcase of trauma-as-entertainment.
John Akomfrah's 'The Nine Muses' obliquely tells the history of migration to Britain in the 1950s and 1960s.
Rumours are circulating on various Hollywood gossip and film blogs that Stringer Bell also known as
The Rwandan film, "Grey Matter," is part of prestigious traveling film exhibition, the Global Film Initiative.
A Nollywood director has reached the dizzying heights of Hollywood, and all the famous names that come with it. What can happen?
Aava DuVernay leads a movement to organize African-American film festivals and secure theatrical releases for black independent films.
Thandi Newton choice as a female lead in the screen adaptation of "Half of a Yellow Sun" has some people upset.
Despite her reluctance, Zarina Bhimji's work does engage with her personal history of Indians' expulsion from Uganda.
"Afro-Spectacle," a music and film event by DJ collective, Dutty Artz, explores the working class African immigrant experiences in the city.
A new film goes in search of the renowned architect and some of his work in Maputo, capital of Mozambique in southeast Africa.
Paul Simon's Graceland album and tour defied the cultural boycott, yet some argue it positively influenced South African music and politics in the late 1980s.
Aflam, a new Belgian "festival of Arab cinema," features seven new and recent films about Egypt in Brussels.
How Cape Town is used by advertising firms as a cheaper, stand-in location for Euro-American locations.
Sick mineworkers condemned to rural South Africa, die there with little or no continuation of care, follow up, or chemotherapy.
2011 was a good year for African cinema. In various cinema seats and at home, I’ve
I finally got to see director Andrew Dosunmu’s debut feature film, “Restless City,” this summer (at the
Two events in London this year focused on female filmmakers working in African cinema. This is