Africa as Science Fiction
Science fiction as genre offers the opportunity to African artists to consider Western cartographies of the future as fictions in their own right.
Film
We’ve always been migrating
A film about a Sudanese migrant to America explores a general fact of contemporary existence.
A French migration fairytale
A remarkable amount of new films in recent months have used migration, detention and illegal sea crossings as their subject matter.
The cinema of liberation
The film, "Come Back, Africa," first released in 1959, challenged how white liberals imagined black people or tried to shape their struggles in South Africa.
Documentary–‘I am Malawi’
http://www.youtube.com/watch?v=AA6F553L17g ‘I am Malawi’ is a short documentary by Geert Veuskens and Pieter de Vos. (Part
African Men
The video, "African Men. Hollywood Stereotypes," made by an American NGO, is part of the "Brand Africa" discourse that's all the rage now.
The value of a people and their social structure
Djibril Diop Mambéty's film "Touki Bouki" is an excellent example of how the contemporary can be read through the (re)construction of myths and narratives from a collective memory.
An unusual sensitivity
One of the striking facts of Nabil Ayouch's film is that Israelis love the land and the Palestinians love it too.
Parisian Africa
Younger generations of artists, many immigrants of African origin, are reconfiguring the arts in France on their own terms.
Soviet cinema and African filmmaking
Abderrahmane Sissako’s oblique suggestion of what a ‘socialist friendship’ might be in his first film, "October" (1993) set in a then-declining Soviet Union.
The impotence of the political bourgeoisie
Ousmane Sembene's "Xala" (1974) is a powerful political narrative. At times edging toward the surreal, at others an acute depiction of the complexity of the freshly independent Senegal.
19th New York African Film Festival: Shorts!
Short films sometimes get a bad rap — they’re considered a “learning exercise” for film school
Exploring rootlessness and confusion
The director, Frances Bodomo, originally from Ghana, talks about her film "Boneshaker" and African globalization.
Film Review: “The Education of Auma Obama”
Republican party propaganda wants to paint President Barack Obama’s Kenyan family as alien to America. In
The 19th New York African Film Festival: “Relentless”
“Relentless” is fundamentally a film about Lagos. About how director Andy Okoarafor sees it. In Okoarafor’s
The best sports films have no play in them
Tunde Kelani's "Maami," a tale about a former professional footballer, is bold and stylish film-making, and it deserves a wide audience.
The 19th New York African Film Festival: ‘Playing Warriors’
It’s not hard to see why Rumbi Katedza’s first feature has been described as a Zimbabwean
The 19th New York African Film Festival: ‘How to steal 2 million’
In South African director Charlie Vundla’s “How to Steal 2 Million,” Johannesburg is equated with “a
Walking on water
From the Otelo Burning soundtrack (we still owe the soundtrack a review), here’s ‘Walk on Water’
The talented Tajdin sisters
They're making a film about "a love story set in Cape Town South Africa that chronicles the life of Leila, a young Cape Malay girl who falls in love with an American boy, Derek, who happens to be black."